un. independent rachel olmstead ( bullet ) of amc's the killing, diverging from canon after 3.07. deux. this blog is for writing and entertainment purposes only.
material.
un. my writing will, at times, be trigger heavy. i'd advise you not to follow if you're sensitive to topics such as rape and assault, violence, etc. deux. some things will be tagged, others won't. if you need something tagged, contact me. i tag triggers with ' trigger / ' or ' trigger mention / '.
muse.
un. bullet is not an easy character to get along with. she's abrasive and confrontational, hot - headed, and has lived on the streets for upwards of two years. i won't water down her scrappy personality for anyone's benefit. deux. if her attitude becomes an issue during our thread, we can always plot something else out.
shipping.
un. the muse is canonically homosexual and presumably homoromantic, so there will be no f/m ships unless they're platonic. deux. given that bullet is fifteen ( and a victim of recent violent sexual assault, ) smut is unlikely.
following.
un. i'm very cautious with who i follow on this blog because i prefer to have a quiet dash. if you don't have any writing on your blog, i won't follow you back. deux.if you're writing with users who make me uncomfortable, i'll immediately and quietly unfollow, or refrain from following period. these users are blocked and blacklisted for a reason. i don't want them on my dash. trois. i won't follow purple prosers because i can't understand what's being written half the time.
verses.
un. multi - verse and crossover friendly. deux. current timeline takes place during her recovery after being beaten and left for dead in the trunk of a car. she sustained severe physical trauma, flatlining three times in the twenty-four hours that followed before slipping into comatose for nearly three months. details are still a work in progress.
❛ I GOT MORE BALLS THAN YOU!
name. rachel olmstead. aka. bullet. age. fifteen going on sixteen. gender. cis female, she/her pronouns. date of birth. october twenty-eighth. residence. seattle, wa.
appearance. slightly malnourished, weight fluctuating due to living on the streets for nearly three years. stands at five feet, three inches ( on a good day. ) sports jet black hair with a streak of dark blue in the front, often looking greasy and dirty, with the sides and back shaved close. wears men's clothing. always looks on the brink of catching a cold.
( previous ) living conditions. squalor. she hung around skid row during the day, and squatted wherever she could at night, mostly in abandoned buildings or at beacon when beds were available. maintained at least a semblance of personal hygiene, but her stained smile told a different tale. clothes rarely saw the inside of a washing machine.
current timeline. parents are currently fighting against child protective services, but because of their negligence and abandonment ( knowingly allowing their child to leave home and live on the streets ), have been stripped of legal custody. after being discharged from the hospital, detective stephen holder was granted temporary guardianship of bullet until she's well enough to be put in the foster - care system.
bullet has every intention of getting the hell out of dodge as soon as possible to avoid this happening. accustomed to the lifestyle of living on the streets, she would sooner die than let an adult have authority over her. despite her extensive injuries, she can still be found roaming skid row, attempting to regain the trust her affiliation with the police shattered.
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‘ my name might not be on the lease but i pay the rent. ’ he can buy whatever he wants, threads included. ‘ what are you doing here? ’
elliot neglected to mention that he had a sugar daddy who payed all his bills. ❛ spare some change for the homeless ? ❜ you could probably weaponize the bitter sarcasm in her tone.
‘ so you were gettin’ yo’ thievin’ hands all up in my crunchberries, too ? p’ft — whatever. i ain’t paid her ‘cause she ain’t SELLIN’. i got standards, li’l man. ’
❛ didn’t see yo’ name on the box ! ❜ using her knapsack as a cushion, she settles down comfortably and takes a sip of the hot chocolate, free hand still holding onto a half - unwrapped mcmuffin. ❛ ‘n they hella low standards, too. i’m just bein’ real, yo. no offence. ❜
‘ gettin’ your sleuth on, now ? alright, i feel you. but one date don’t mean we’re datin’ — you know i ain’t got time for that. ’
fair assumption. ❛ wasn’t like that, asswipe. it was ten in the mornin’ ‘n i was havin’ me a bowl of cap’n crunch on the couch, watchin’ animal planet, then out comes this chick lookin’ like she just finished filmin’ a damn porno, yo ! so ? how much’d you pay her ? ❜
‘ well seein’ as how i don’t got one — you try’na tell me there’s a new honey you been eyeballin’ on the sly ? oh, SNAP. bullet’s got game. ’
❛ p’ft. only thing i’m ‘bout t’ start eyeballin’ are these mcmuffins. i know you ain’t gonna sit there ‘n tell me you ain’t got a lady when i seen one takin’ the walk of shame outta the crib just a couple weeks ago ––––– ❜
elliot gestures vaguely with his cigarette, pinching it between his lips and fingers and looking for words to use instead of just expecting some telepathic level of communication. ‘ synthetic opioid. eighty times stronger than morphine. faster acting but faster to go away, too. ’ it’s funny, because - ‘ it’s funny because right after it happened it didn’t even hurt. ’ just warmth. just my own blood.
he stews in many of the same thoughts. elliot already had reasons to be self conscious - largely they never interrupted his life, but now they do. i don’t know what it’ll be like, the first time i’m shirtless again in front of someone who loves me, in front of someone who loves my body. elliot is still stitched and bandaged and healing and he wonders what will happen the first time that he catches up to bullet with raised pink keloid lines, too obvious to be anything other than exactly what they are.
i hope bullet is alive years down the line to be a person with a scar instead of a scarred person. i hope she’s alive long enough that i’m forced to stop thinking of her in frightened maybes. it’s not just death or even the displacement that happens so often to homeless youth that elliot worries about; it’s himself, the distances he makes, things like the long months lapsed where he missed this shit happening.
‘ i know what it’s like. you know i do. ’ even beyond the things that happen to us; the way we are. weak because you got hurt. weak because you’re a girl (even if you’re not). weak because you’re rough around the edges, because you’re different. i’m very different. bullet is too. ash drops off the end of the cigarette unnoticed and elliot dusts it away from himself. ‘ and i know you can put them in their place. ’ beat. ‘ because they’re wrong. ’
sounds like a dream. to not feel hurt when blood is pouring out of you. she doesn’t have to envy that because she’s been there before and it’s exactly how he described it. no pain. just initial shock and trying to wrap your head around what happened while doing one of two things: staunch the bleeding, or stare at it until you make sense of it.
half - expects her palm to be stained with red every time she looks down. to see it caked beneath her fingernails from where she gripped her throat after the fact and felt warmth spill between the spaces of fingers. she wonders which he chose. staunch, or stare ? did he come up with another option ? ❛ where’d ya get hit ? you been takin’ care of it ‘n all that, right ? you know gunshot wounds can get nastier than r - kelly, yo, f’ rilla. ❜
she has a lot of scars –– not just the most recent –– that are littering her body underneath two layers of clothing and maybe she’ll show him one day, because those are the ones she’s proud of. the ones that have better stories, like getting glassed with a broken bottle and baiting a guard dog to see if it’ll attack ( it did. ) she inhales and looks at him, listens to him. she knows he knows.
and maybe that’s part of the reason she’s comforted. elliot isn’t run of the mill like everybody else. he gets it and she knows that but sometimes it’s hard to keep that in mind when you’re fifteen and feel like the whole world has turned against you. ❛ no shit. just kinda pissed i can’t kick that piece of shit’s nutsack up int’ his fuckin’ throat. guy who did this t’ me. same one pickin’ off all those girls one by one. can’t put him in his place ‘cause he’s already there, ‘n that ain’t doin’ shit for me. ❜ as in, six feet underground instead of serving out a prison sentence.
‘ that’s just how i roll, playa ! say it a little louder for the haters in the back. ’ there’s more, in the form of hot chocolate — promptly handed over. ‘ you stayin’ outta trouble ? ’
a quiet scoff, more than half - amused. takes the cup with the same hand holding the bag, then swaps hands for sole convenience. ❛ you’re an idiot –––– ‘n i ain’t done nothin’ t’ be gettin’ in trouble for ‘cept bangin’ yo’ lady. ❜
‘ yo, bullet — ’ he tosses her a paper bag, folded over at the top, its contents still warm : hash browns and two bacon - egg - and - cheese breakfast sandwiches. ‘ think fast. ’ @junkyardteen.
❛ –––––! ❜ she has good reflexes. catches the bag one - handed and unfolds it, eager to get food in her system this morning. ❛ you the bomb, bugs ! ❜
the kind she probably won’t like, because none of them offer an immediate way out. linden is more equipped to have this conversation, if he’s being honest with himself : she knows the system from years of firsthand experience. she’s been where bullet is. holder, who always managed to dodge CPS and the DCSS by a hairsbreadth ( he has his sister to thank for that ) is at a disadvantage. but he knows what’ll happen if she runs, now that she’s on the radar.
juvie. foster care. rinse, repeat.
‘ look, just — hear me out, alright ? ’
a twitch of his shoulders, weight shifting, he can never quite master the art of standing still.
‘ you got like, two years left ‘til you’re clear of this circus. but until then, somebody else’s gotta take responsibility — even if it’s just on paper, you know, give ‘em somethin’ to show a judge. now, i can do that, if mom ‘n pops ain’t at the top of your list, and most of what we got goin’ won’t change. but the ball’s in your court, li’l man. don’t be makin’ any big decisions yet, just, uh — give it some thought, is all. ’
she’s been to juvie. one month felt more like twelve with around-the-clock supervision and officers on standby, telling you what to do and when to do it, where to eat your meals and what time you’re allowed to shit it back out. privileges revoked just for having a voice, privacy invaded. and forget about comfort. nobody gives a damn about your bad back or headaches or period cramps. nobody gives a damn about your personal boundaries, either.
imagines a group home to be similar. too many kids, all in one place. too many rules and too many adults abusing their authority over the troubled youth. for what ? the sole purpose of making your life miserable ? as if it wasn’t already. knowing bullet, she’ll just dig her heels in and make it worse. violate the terms of her probation and get sent back to juvenile detention.
providing they ever find her. the kid’s resourceful. knows how to disappear if she wants to. needs to.
❛ ain’t goin’ back home. ❜ stated clearly, without a shred of hesitation. he tells her not to make that decision right now but she does it anyway, only to backpedal and give it second thought. most of what we got. indicating that there will be change. but it’s better than being buried in the system until she’s eighteen, isn’t it ?
❛ i wanna do my own thing. like i’ve been doin’ for three years. don’t want nobody makin’ me go to doctors appointments or takin’ me to the dentist. don’t want no stupid - ass curfews or … whatever the hell else. ❜