un. independent rachel olmstead ( bullet ) of amc's the killing, diverging from canon after 3.07. deux. this blog is for writing and entertainment purposes only.
material.
un. my writing will, at times, be trigger heavy. i'd advise you not to follow if you're sensitive to topics such as rape and assault, violence, etc. deux. some things will be tagged, others won't. if you need something tagged, contact me. i tag triggers with ' trigger / ' or ' trigger mention / '.
muse.
un. bullet is not an easy character to get along with. she's abrasive and confrontational, hot - headed, and has lived on the streets for upwards of two years. i won't water down her scrappy personality for anyone's benefit. deux. if her attitude becomes an issue during our thread, we can always plot something else out.
shipping.
un. the muse is canonically homosexual and presumably homoromantic, so there will be no f/m ships unless they're platonic. deux. given that bullet is fifteen ( and a victim of recent violent sexual assault, ) smut is unlikely.
following.
un. i'm very cautious with who i follow on this blog because i prefer to have a quiet dash. if you don't have any writing on your blog, i won't follow you back. deux.if you're writing with users who make me uncomfortable, i'll immediately and quietly unfollow, or refrain from following period. these users are blocked and blacklisted for a reason. i don't want them on my dash. trois. i won't follow purple prosers because i can't understand what's being written half the time.
verses.
un. multi - verse and crossover friendly. deux. current timeline takes place during her recovery after being beaten and left for dead in the trunk of a car. she sustained severe physical trauma, flatlining three times in the twenty-four hours that followed before slipping into comatose for nearly three months. details are still a work in progress.
❛ I GOT MORE BALLS THAN YOU!
name. rachel olmstead. aka. bullet. age. fifteen going on sixteen. gender. cis female, she/her pronouns. date of birth. october twenty-eighth. residence. seattle, wa.
appearance. slightly malnourished, weight fluctuating due to living on the streets for nearly three years. stands at five feet, three inches ( on a good day. ) sports jet black hair with a streak of dark blue in the front, often looking greasy and dirty, with the sides and back shaved close. wears men's clothing. always looks on the brink of catching a cold.
( previous ) living conditions. squalor. she hung around skid row during the day, and squatted wherever she could at night, mostly in abandoned buildings or at beacon when beds were available. maintained at least a semblance of personal hygiene, but her stained smile told a different tale. clothes rarely saw the inside of a washing machine.
current timeline. parents are currently fighting against child protective services, but because of their negligence and abandonment ( knowingly allowing their child to leave home and live on the streets ), have been stripped of legal custody. after being discharged from the hospital, detective stephen holder was granted temporary guardianship of bullet until she's well enough to be put in the foster - care system.
bullet has every intention of getting the hell out of dodge as soon as possible to avoid this happening. accustomed to the lifestyle of living on the streets, she would sooner die than let an adult have authority over her. despite her extensive injuries, she can still be found roaming skid row, attempting to regain the trust her affiliation with the police shattered.
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‘ it ain’t weird. you were lookin’ for her — maybe she knew. i mean, maybe she knew you had her back, you weren’t givin’ up. it ain’t on you, what happened to her. you gotta see that. ’
but it’s never that easy. didn’t mean anything then, curtains drawn, room clouded with smoke, linden repeating a mantra of it’s not your fault. it’s not your fault. and it probably doesn’t mean anything now. kallie’s in the ground and everyone remembers james skinner as a decorated cop. guilt works like a slow - acting poison. he knows.
‘ … what’d she say to you ? ’
❛ i don’t believe in that shit. wherever she is, it ain’t here. ❜ but sometimes it still feels like it, doesn’t it ? sometimes, it feels like you’re being watched.
kallie’s dead. a faceless, rotting corpse. as if she wasn’t rotting before she was found. and it isn’t her fault but she shoulders the blame anyway because maybe, maybe if she had just given her the ticket, she’d be alive and full of light. maybe someone else would have taken her place that night instead, but maybe bullet wouldn’t have cared so much about someone else when her whole heart was still intact and her veins didn’t feel bled dry.
smoke filters in, then back out of her lungs. ashes the cigarette out of the cracked window just as the rain begins to fall. a light drizzle.
❛ nothin’. it don’t matter. ❜
she’s clamming up again, closing herself off to the prospect of ––––– to the prospect of what ? anything that isn’t bottling up your emotions ? her body can only take so much pain. her mind can only hold so much guilt. what happens when she exceeds that limit ? will her bones break ? will her world shatter ? will she feel hollow ?
‘ don’t let the outfit fool you. ‘ she scoffs, the frilly top & jean skirt that’s draping her form is uncomfortable to say the least. ‘ it’s not my .. style, or whatever — i don’t really have one, a style, i mean .. ‘ it doesn’t take long to find her car, unlock it & slip inside. all she has to do now is wait.
❛ wasn’t talkin’ ‘bout the outfit. ❜ she doesn’t have the face of someone who belongs on the street. but neither some of her friends. ducks into the passenger side and pulls the door shut, knapsack slung between her feet on the floorboard. ❛ ever gonna tell me yo’ name? ❜
i know this such an irrational thing to get mad over but when my headphones get caught on something and yanked out i legit have to take three seconds to freeze and contain my anger
due at the station ten minutes ago, he drives without a destination in mind. away from skid row, giving the water a wide berth, navigating an aimless grid downtown. surrounded by traffic and early morning commuters as far removed from them as images on a tv screen. he lights a cigarette out of habit, doesn’t expect the silence to break and something tightens up under his sternum when it does. his eyes stay on the road.
wherever i was. the coma she wasn’t supposed to wake up from, but did. because she’s stronger than that.
‘ ––––––– you talk to her ? ’
❛ tried to. ❜ but couldn’t close enough. she was just out of reach, every time. following the very glimpse of strawberry blonde around street corners and into buildings. even into the water, where she once saw her beneath the surface. hollow eyes open to the world. hair fanned out around her in a way that made it seem peaceful. quiet. but most of all, lonely.
realises now what she didn’t then. ( even in her subconscious, kallie was waiting to be found. ) fumbles around in her coat pocket for a moment, cursing under her breath. pulls a cigarette from his pack instead and lights it, poisoning her lungs.
her hands are trembling. she ignores it. tries to play it off as a tic, bouncing her knee as if she’s restless.
❛ i did talk to her. once. it was weird. i dunno. ❜
there’s a learning curve with all this for both of them. it’s not supposed to be easy. they’re trying, and that has to count for something, right ? most days, he feels like he’s running on fumes. on a reservoir of patience that should have long since dried out. but they’re trying.
he’s trying.
a smile, almost. or the ghost of one.
‘ yeah, you said that. you say that every time. get in — breakfast’s on me. ’
she still hasn’t some fight left in her. doesn’t give up that quick, no matter how bad she wants to ( because the pain and the hurt have burrowed in her chest and made itself at home between the spaces of her ribs. just when she thinks she’s past it, something else starts to bruise. ) she won’t ever go down quietly.
these demons have a lot of work to do before they can bring her to both knees.
silent until seated in the passenger seat, bullet shifts, one knee bent and tucked against her chest. stares out the window, watching unfamiliar faces pass by in a blur.
‘ big mac sounds good. & fifteen, yeah .. cool. ‘ she’s digging around in her bag for her car keys, the rustling sound of empty gum wrappers & her vibrating phone loud & evident. ‘ got ‘em. ‘ a sigh of relief spills from pink brims & with a nod of her head, she signals the way to her car, silently asking her to follow. ‘ where are you going to pierce me, then ? ‘
a subtle arch of the brow as she pulls a set of keys from her bag. thought the closest fast food chain was at least within walking distance, but everything usually was to a kid who didn’t have another choice. a moment’s hesitation passed, then she quietly falls into step. ❛ in the throat if you try anything sketchy. what’re you doin’ on this side of town, anyway ? y’ look like one of them chicks that just stepped outta cosmo, but you’re slummin’ it by the jungle ? ❜
‘ are you fuckin’ kidding me, bullet ? first you wanna help out, now you’re gonna turn around and act like — ’ like a teenager. exactly like he would have acted at fifteen. with all that bravado, sometimes he forgets : she’s just a kid.
a sharp inward breath gives way to a sharper exhale, misting out in front of him ; there’s a chill in the air that seeps down marrow - deep. the brief flare of anger that clipped his words doesn’t last longer than it takes to level his gaze. ‘ whatever. look, you, uh — you want me to drop you off somewhere ? cold as hell out here, ‘n i know you ain’t got’cha flu shot yet. ’
❛ ain’t actin’ like nothin’. ❜ she did want to help. still does. her attitude may switch on a dime, but that doesn’t mean she’s less inclined to lend a helping hand.
let her be angry and pick fights because it’s the only way she knows how to cope. let her navigate through this cornucopia of emotion, biting into each until she finds the most ripe. just let her go through the motions. ( be patient with her. ) she’ll get there. a scowl paints her expression, in time with the step taken away from the car door. ❛ you ain’t my chauffeur. ❜