un. independent rachel olmstead ( bullet ) of amc's the killing, diverging from canon after 3.07. deux. this blog is for writing and entertainment purposes only.
material.
un. my writing will, at times, be trigger heavy. i'd advise you not to follow if you're sensitive to topics such as rape and assault, violence, etc. deux. some things will be tagged, others won't. if you need something tagged, contact me. i tag triggers with ' trigger / ' or ' trigger mention / '.
muse.
un. bullet is not an easy character to get along with. she's abrasive and confrontational, hot - headed, and has lived on the streets for upwards of two years. i won't water down her scrappy personality for anyone's benefit. deux. if her attitude becomes an issue during our thread, we can always plot something else out.
shipping.
un. the muse is canonically homosexual and presumably homoromantic, so there will be no f/m ships unless they're platonic. deux. given that bullet is fifteen ( and a victim of recent violent sexual assault, ) smut is unlikely.
following.
un. i'm very cautious with who i follow on this blog because i prefer to have a quiet dash. if you don't have any writing on your blog, i won't follow you back. deux.if you're writing with users who make me uncomfortable, i'll immediately and quietly unfollow, or refrain from following period. these users are blocked and blacklisted for a reason. i don't want them on my dash. trois. i won't follow purple prosers because i can't understand what's being written half the time.
verses.
un. multi - verse and crossover friendly. deux. current timeline takes place during her recovery after being beaten and left for dead in the trunk of a car. she sustained severe physical trauma, flatlining three times in the twenty-four hours that followed before slipping into comatose for nearly three months. details are still a work in progress.
❛ I GOT MORE BALLS THAN YOU!
name. rachel olmstead. aka. bullet. age. fifteen going on sixteen. gender. cis female, she/her pronouns. date of birth. october twenty-eighth. residence. seattle, wa.
appearance. slightly malnourished, weight fluctuating due to living on the streets for nearly three years. stands at five feet, three inches ( on a good day. ) sports jet black hair with a streak of dark blue in the front, often looking greasy and dirty, with the sides and back shaved close. wears men's clothing. always looks on the brink of catching a cold.
( previous ) living conditions. squalor. she hung around skid row during the day, and squatted wherever she could at night, mostly in abandoned buildings or at beacon when beds were available. maintained at least a semblance of personal hygiene, but her stained smile told a different tale. clothes rarely saw the inside of a washing machine.
current timeline. parents are currently fighting against child protective services, but because of their negligence and abandonment ( knowingly allowing their child to leave home and live on the streets ), have been stripped of legal custody. after being discharged from the hospital, detective stephen holder was granted temporary guardianship of bullet until she's well enough to be put in the foster - care system.
bullet has every intention of getting the hell out of dodge as soon as possible to avoid this happening. accustomed to the lifestyle of living on the streets, she would sooner die than let an adult have authority over her. despite her extensive injuries, she can still be found roaming skid row, attempting to regain the trust her affiliation with the police shattered.
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at least she isn’t some fake blonde, perfume soaked bimbo with some artificial alliterative motive. ‘ fifteenbucks, a shower at my place, & an easy mac dinner. ‘ she drops her shirt, hands raising, waiting for an answer before letting them flop down to her sides ( in the most ungraceful way possible ). ‘ who can pass up easy mac ? ‘
is she supposed to take it on faith that this girl isn’t a crazed psychopath, or that accepting such a generous offer won’t mean tempting fate ?( a woman is just as capable as a man. ) head cants, gaze narrowing in with scrutiny. ❛ fifteen, 'n a big mac from mcdonald’s. ain’t gonna hang out at someone’s crib i don’t know. that’s askin’ for trouble. ❜
he did know. maybe he wanted to hear it from her. in some warped, ass - backwards way, he’s trying to say i get it. trying to say that he’s been there. getting drunk, getting high. just ‘cause i can. just to feel something else. or, ideally, nothing at all. it’s the same, but not the same, because no two experiences are ever identical, no two people tread matching paths down this ugly road. she doesn’t know the half of what he’s done, and he hopes to god — or whoever’s listening — that she’ll never have to find out.
a scoff as he takes two steps forward, car keys still in hand. this is neither the time nor the place.
‘ you the voice of experience now ? we’re not doin’ this here, get in the damn car. ’
digs her heels in, chin up in defiance, a rebellious glint behind the eye ( and you can’t tell by the way she’s holding herself, shoulders squared and jawline taut, but she’s beginning to feel somewhat anxious.) bullet wants him to get angry, to raise his voice and cause a scene so she has another excuse. the proximity isn’t as distanced as it once was. fists tighten on pure reflex, but remain in the warm pockets of her coat.
the bill crinkles beneath the movement. she wishes she’d never asked for it. wishes she hadn’t gone down this road.
❛ or what? you gonna drag me into the station again ? ❜
she’s struck by a feeling that something’s different about her friend, something off ; a dark aura’s settled about her ( not that she believes in that hippie shit. ) but isn’t that what happens to everyone fending for themselves in a DIRTY, messed up world? no one escapes without looking like the weight of the universe itself has crushed their soul. she’s worried there’s more to the story than a bad life wearing at her, but she doesn’t say anything about it, not now. she busies her mind with bullet’s words ; she was WORRIED about her, something that brought a warmth to her core, ❛ i was basically in lockdown — they took my phone away, had me doing some homeschool shit. ❜ she drags her teeth over her chapped bottom lip, thinking, before a decisive smile makes its way on her face, ❛ i think i’ll always pick breakfast. ❜ she spins on her heel, heading off in the direction that would lead to the nearest greasy diner, ❛ bullet, i want to pay. ❜ she isn’t looking at her, eyes on the ground watching herself walk. how many times has bullet had her back when she had nothing? ( whether it was a place to stay, food, money ) — she OWED her.
too much has happened. there’s been so much blood and so much pain, so much she hasn’t spoken about of her own volition, let alone acknowledged with anything other than a swell of anger.grateful that octavia isn’t the prying type, although part of her longs to unload. ( it’s okay to be not okay, fifteen and grieving over too many things all at once. it’s okay to be upset and want to confide in someone who might understand instead of forcing yourself open to someone who does nothing but psychoanalyse your every word. ) a scoff parts her lips, cracked and raw from the chill and split at the corner, where she took a hit two days ago. ❛ fuck ‘em. you gotta keep a low profile for a li’l while, man. you know they’ll be huntin’ your ass down like a freakin’ dog. i’ll find you a place t’ squat if you need one. ❜ she remembers being on the run. her first year on the streets was hell. ❛ guess i should’a known that. yo, c’mon, i mean it. you ain’t gonna have that scratch forever. don’t blow it on some damn eggs ‘n bacon, you feel me ? ❜ she falls into step, a small quirk at the edges of her mouth. money isn’t as much of an issue for bullet as it is for others, but she’s always hesitant to divulge that, and cautious with who she tells. ❛ so, who were the punk - asses that got stuck wit’cho crazy ass ?bible thumpers ? ❜
she closes her eyes briefly as her sister raises her voice, knowing how much it probably pains her to speak that way. & so badly, she wants to tell her to stopAGAIN, only to go against her wishes to not tell her what to do. she can’t help it ; it’s in her nature to be protective of those close to her. even if they hadn’t been close in YEARS —— rachel was the most important person to her. she wants her to be BETTER ( she needs it ). she looks back at her, scoffing at her attempt & keeping the cigarette away from her. she wasn’t going to let her continue, not when she is like this. ❛ do you really think that’s what this is about? i don’t care that you’re in my room —– ❜ though part of her did wonder why, but she isn’t mad. she finds it strangelyendearing that she’s here. ❛ why are you always doing this? why are you constantly trying to risk your life? it can’t be fun to be this reckless all the time, is it? ❜
she isn’t. despite what everyone else might believe. all those preconceived notions about living on the streets, what it does to a person ––––– they’re all true. the past three years have taught her a lot about taking risks, and there’s a sick irony here that she feels the need to point out. audrey doesn’t have a leg to stand on. she tries to imagine a world where the roles were reversed. where her friends were the ones being terrorised and slaughtered. waking up, fearing what the day will bring. wondering who’s going to die next. tries putting herself in audrey’s shoes, the minute that trunk unlatched and she found her sister laying there, still as a corpse, blood soaking through into the upholstery. it’s a gut - wrenching thought. maybe, in this parallel universe, bullet would be going to the ends of the earth to protect her. ( as if she isn’t doing so already. it’s the only reason she hasn’t left home and found her way back to skid row, slit throat or no slit throat. audrey’s worried about her, and all the while she can’t help but think that she’s the one who needs protecting. the killer didn’t just attack bullet. he attacked audrey through bullet, deliberately, to taunt her. ) she looks up. doesn’t quite know how to respond without dishing out sarcasm. ❛ the hell would you know about havin’ fun? you’re so goddamn stressed out, your hair’s turnin’ silver. you ever quit worryin’ about other people ‘n start worryin’ ‘bout yourself for a change ? ❜
‘ yeah, i was, ‘cause i don’t like you lyin’ to me. if you’re gonna be drinkin’ my paycheck, at least be straight up about it. own your shit. ’ it’s blunt, and there’s an edge to it, but he’s quick to dial back into something more neutral. he isn’t angry — not at her. not for the reasons you’d think. she was dealt a fucked - up hand and she’s trying to cope in the best way she knows how. nobody said he had to like it. ‘ just make sure t’ keep me in the loop, alright ? don’t be chasin’ down leads ‘n shit by yourself. if somethin’ don’t feel right, you back off and let me do my job. ’
❛ fine. you really wanna know ? ❜
you can smell it on her, soured from the rain. malt liquor and a whiskey chaser that didn’t burn quite as bad as she anticipated. she was used to it. swallowing the truth, bitter pill after bitter pill, has that effect. or maybe the dope she smoked just made it seem that way.
❛ i’m jus’ doin’ the same messed up crap you did. been gettin’ drunk. gettin’ high, just ‘cause i can. it ain’t like there’s anything better t’ do. ❜
voiced casual, as though they were talking about something as menial as the weather, but with disparaging and spiteful undertones typical of a fifteen year old girl who feels as though he’s casting too much judgement. she doesn’t care who’s around to hear it.
‘ — so it’s like that. ’ if she’s angling for a distraction, he can commiserate ; but this can’t be the right way to go about it. she’s only been out of the hospital a few weeks. shouldn’t even be on the streets, let alone working cases. it’s another of those situations, like the drinking, like the drugs, that he has no control over : when she wants to do something, she’ll do it whether he gives her the green light or not. ‘ ain’t about trust. look, you wanna call in a favor ? fine. but that’s it, y’ hear ? don’t even breathe on this case unless it goes through me first. ’
❛ yup. ❜ it’s like that, because she’s grown tired of catering to what others think she needs versus what she thinks she needs, which is nothing if not purpose. a will to keep herself afloat. one that she’ll find anywhere she can. she wants to help.not herself, but those she cares about. it’s all she’s ever wanted to do. she lifts a hand to brush beneath her nose, drawing in a breath and casting a sidelong glance before looking back. ❛ it ain’t about trust, but you were just givin’ me the third degree over some scratch ? whatever, yo. ain’t gonna dick around on yo’ case ‘n fuck it up. scout’s honour. ❜
‘ eighteen. ‘ she quickly corrects, eyes darting down to her bare middle. ‘ my shit ? it’s just my stomach. ‘ & to prove her point, she keeps the shirt raised, a clear act of defiance. she refuses to back down. ‘ if you don’t want to do it, that’s fine. i’ll go get it pierced at some shop that charges way too much& requires a fucking birth certificate. or .. you could stop treating me like a high school prostitute& help me out. your pick. but just so you know .. i prefer the latter. ‘
❛ oh, much better. ❜ sarcasm coats the tongue, laid on thick as arms fold over her chest. doesn’t need to ask if the girl has always been this forward because she knows the type too well. actively avoids even catching a glimpse of skin, gaze narrowed in elsewhere. sea level, eye to eye ( because if she doesn’t see it, she doesn’t run the risk of embarrassment. ) ❛ all they’re gonna ask for is your driver’s license, yo. but that’s your call t’ make. you really gonna let a dirty - ass kid stick a needle in you ? ❜ as if to drive her point home, she unfolds her arms to present the dirt and grime beneath her fingernails, encrusted around cuticles. her hands are bruised, unclean. a result of living on the streets.
she figures there’s no better place to wait for bullet than the overpass, if she was certain to show up anywhere, it was here. It took a few hours of waiting & patience ( which she doesn’t have much of, but the cheap pacman knock-off on her burner phone kept her entertained. ) when bullet enters her field of vision, she’s easy to spot, her short stature a dead giveaway. ❛ hey! ❜ she calls out, waiting until the girl notices her before approaching, ❛ i’m back. — & i think it’s actually for good this time. ❜ it’s not the first time she’s made such a claim only to be picked up and returned to her foster home ; she struggles to blend into the shadows of the city streets. ❛ — you HUNGRY? ❜ her hand dives into her jacket pocket to retrieve a small wad of cash, discretely flashing the bills her way before tucking the money back into the safety of her coat. ❛ my treat. ❜ ( @junkyardteen )
she hadn’t stopped moving since her feet touched ground this morning. hadn’t intended to. hadn’t wanted to until she reached the bridge, where she could look out over the water and imagine kallie somewhere close by. ( picture this. an impossible distance lies between you and your best friend, but there is comfort in knowing she counts the same stars, wherever she is, and that the water that flows in the rivers of seattle, smooth like glass on this bitter morning, will find her eventually. ) intercepted at the overpass only two blocks from her destination, she’s met with a familiar face. one she hasn’t seen in weeks, and that alone is enough to lift her spirits. ❛ yo, what the hell, o ! why didn’t you text me ? thought they’d locked your ass down or somethin’. had me all worried about’cha ‘n shit. ❜ glimpses the fold of cash, what looked like a hell of a lot more than pulling a date would get her. almost feels relieved. ❛ hell yeah, man. i’m starvin’. but you ain’t gotta pay for me, a’ight ? save it, ‘cause you’ll need it. trust me. you feelin’ breakfast, or lunch ? ❜