un. independent rachel olmstead ( bullet ) of amc's the killing, diverging from canon after 3.07. deux. this blog is for writing and entertainment purposes only.
material.
un. my writing will, at times, be trigger heavy. i'd advise you not to follow if you're sensitive to topics such as rape and assault, violence, etc. deux. some things will be tagged, others won't. if you need something tagged, contact me. i tag triggers with ' trigger / ' or ' trigger mention / '.
muse.
un. bullet is not an easy character to get along with. she's abrasive and confrontational, hot - headed, and has lived on the streets for upwards of two years. i won't water down her scrappy personality for anyone's benefit. deux. if her attitude becomes an issue during our thread, we can always plot something else out.
shipping.
un. the muse is canonically homosexual and presumably homoromantic, so there will be no f/m ships unless they're platonic. deux. given that bullet is fifteen ( and a victim of recent violent sexual assault, ) smut is unlikely.
following.
un. i'm very cautious with who i follow on this blog because i prefer to have a quiet dash. if you don't have any writing on your blog, i won't follow you back. deux.if you're writing with users who make me uncomfortable, i'll immediately and quietly unfollow, or refrain from following period. these users are blocked and blacklisted for a reason. i don't want them on my dash. trois. i won't follow purple prosers because i can't understand what's being written half the time.
verses.
un. multi - verse and crossover friendly. deux. current timeline takes place during her recovery after being beaten and left for dead in the trunk of a car. she sustained severe physical trauma, flatlining three times in the twenty-four hours that followed before slipping into comatose for nearly three months. details are still a work in progress.
❛ I GOT MORE BALLS THAN YOU!
name. rachel olmstead. aka. bullet. age. fifteen going on sixteen. gender. cis female, she/her pronouns. date of birth. october twenty-eighth. residence. seattle, wa.
appearance. slightly malnourished, weight fluctuating due to living on the streets for nearly three years. stands at five feet, three inches ( on a good day. ) sports jet black hair with a streak of dark blue in the front, often looking greasy and dirty, with the sides and back shaved close. wears men's clothing. always looks on the brink of catching a cold.
( previous ) living conditions. squalor. she hung around skid row during the day, and squatted wherever she could at night, mostly in abandoned buildings or at beacon when beds were available. maintained at least a semblance of personal hygiene, but her stained smile told a different tale. clothes rarely saw the inside of a washing machine.
current timeline. parents are currently fighting against child protective services, but because of their negligence and abandonment ( knowingly allowing their child to leave home and live on the streets ), have been stripped of legal custody. after being discharged from the hospital, detective stephen holder was granted temporary guardianship of bullet until she's well enough to be put in the foster - care system.
bullet has every intention of getting the hell out of dodge as soon as possible to avoid this happening. accustomed to the lifestyle of living on the streets, she would sooner die than let an adult have authority over her. despite her extensive injuries, she can still be found roaming skid row, attempting to regain the trust her affiliation with the police shattered.
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‘ the kinda shit that’s gonna get’cho skinny ass beat, son. yo — look, i said you could help out ‘cause you were gonna do it either way, right ? but it ain’t your job. don’t know why you’re so interested anyway, ‘cause, believe me, this case ain’t all that. ’
scoffs, cocking a brow. “ think i can’t take a couple low - rent punks ‘n beat their ass ‘round the block ? what the hell d’ you take me for ? alright, look, if you ain’t got anything that checks out, then fine –– but if you do, then you gotta tell me. i can help, yo ! i’m good at it. ”
he doesn’t doubt it. there’s a rasp of a laugh, brushed off as he shifts his weight with a noncommittal shrug. ‘ got a couple new leads. nothin’ you need to be sniffin’ around for. ’
“ think i’ll sniff where i want. don’t get me involved then do a freakin’ one - eighty ! what kinda shit is that ? ”
that’s the thing about acceptance. you don’t get there all at once, like a train rolling into the station ; it’s a long, uneven road, fissured and cracked and often uphill. it’s slow. sometimes you fall, or take a wrong turn and have to backpedal. sometimes you don’t move forward at all but freeze in a kind of limbo, a paralysis that clutches at your heart and holds on.
she’ll get there when she gets there. this is the same kid who cold - cocked him in the gut and woke up from a coma because the doctors said she wouldn’t. he has faith.
her face pinches into that telltale grimace and he flicks away his cigarette, drops into a crouch at her side. doesn’t reach out uninvited — he knows better than that — but he finally takes the bottle away. pours out what’s left ( a couple of pulls, if that ) and sets it down. jaw tight. throat thick as wet cement.
he can smell the reek of malt liquor ; the sour aroma of bile and thin sweat. it’s familiar. he hates that it’s familiar.
‘ ––––––– i got you. ’
this is the easy part, before the bed - spins and the skull - splitting headache and the way her stomach will heave and pitch and churn like the ocean during a storm. it gets worse before the skies clear. every time.
her mouth tastes like sewage. gritty and sour. this is the worst part about getting shit - faced. you could be twenty - one and getting the full college experience, thirty - five and a functioning alcoholic, or fifteen and emotionally exhausted ––––– you’ll still feel like roadkill when the booze turns on you like an ex - best friend.
shoulders ache from the strain, her spine rigid. almost chokes on the last pitch of bile in her throat and heaves for a breath afterward. she’s a goddamn mess of cold - sweat and watering eyes and flushed cheeks, and it’s not the first time. not the first time her throat’s felt like raw meat and her skull felt like it’s being split in two. not the first time she leaped ten miles over the line in the sand.
( bullet doesn’t have many first times left. )
just when she thinks she’s in the clear, the second round hit like a freight train. a punch to the gut. by the time she’s finished, everything hurts. but at least the pain was physical. ( that’s all she wanted. to stop thinking and stop feeling like her heart was the world’s punching bag. )
a sigh lifts, sounding irritation for a heartbeat. ‘ hate when you do that. spit it out. ’
“ bite me. ” a more civil alternative to don’t tell me what to do. “ just wondering if you seen someone. shaved head, looks kinda like a hard - boiled egg. stupid - ass socks ‘n a rank hoodie … ? ”
‘ whatever. you smoke like that crazy old bitch. ’ not that he’s one to talk. ‘ y’ ever seen her up close — like, real close ? 'cause that’s what you got t’ look forward to if you don’t keep it fresh, you know what i’m sayin’ ? ’
“ nope — just through the glass, which is where linden’s gonna be seein’ me when they lock me up for straight murderin’ your scraggly ass, fool ! ” empty threats must be on special. she isn’t above socking him in the gut again to prove a point, though. “ yo, you get any more leads on that case that i should know about ? ”
only if they’re a success. he likes to think he’s less easily manipulated than most. ‘ why you always gotta be such a hater ? i’m like a fine wine, you know, just gets better with age. ‘n you best start exfoliatin’, y’ hear ? otherwise you’re gonna wake up one day lookin’ like mama dips. ’
he’s wrong. but she’ll save that discussion for a later date and instead focus on the conversation at hand, which boils down to defending her own honour. “ yo, listen, i ain’t no expert dermatologist, but i think i got about forty more years ‘fore i start lookin’ like that crazy old bitch. ”
he’s holding himself back because there’s a difference between tough love and beating a dead horse, and he’s not sure where on the spectrum it would fall but it feels more like the latter. at least while she’s still drunk. ( he’s not an idiot. knows from experience that trying to reason with someone in this state doesn’t yield positive results ; he was that someone. )
‘ second thoughts about keepin’ your skinny ass outta foster care ? hell no. ’
it’s not just that, but his answer would be the same either way. reassuring, almost, to feel like he’s finally making the right call about something.
‘ two years ain’t nothin’. had a jar of peanut butter sittin’ up in my dojo for longer than that. ’
there’s a difference between coping and defense mechanisms too, and she’s gotten her wires crossed trying to protect herself from the trauma rather than deal with it. five stages of grief, five stages of emotional bullshit she has to wade through like quicksand. likes to think she’s reached the acceptance stage but she hasn’t. not with a bottle of malt liquor in her hand every night. she’ll get there.
the way he says foster care reminds her of that night at seattle’s police station (before i bury your ass so deep in the foster care system, you’ll never get out) and she almost says something, almost unburies that hatchet just out of spite. but it’s not worth it.
if the roles were reversed, would she not have acted the same ?
“ think i ate some of that. either the label was wrong or smooth peanut butter goes crunchy after it expires. ”
talking about food makes the nausea worse. the cigarette held between index and middle finger trembles and so do her hands. she’s staring down at the bottle and contemplating whether to pussy out when the bile pitches into her throat without warning. body twists in a lean, booze and stomach acid and whatever was left over from her last meal spilling out onto the concrete.
‘ watch y’self, li’l man. you gonna be surfin’ through four channels on basic cable if you ain’t careful. ’ not really. ( like he’d ever be the one who deprives her of animal planet. ) brows raise in mock offense. ‘ oh, what, you think i’m frontin’ ? alright. but lemme ask you this — when’s the last time your lady went home satisfied, huh ? ’
“ oh, quit trippin’. you know better’n that. ” bullet wouldn’t shut up about it on principle. her manipulation tactics are truly an art form. “ t’cht. ain’t got a lady t’ send home satisfied. don’t need one, either ! you’re the one who ain’t gettin’ any younger, bugs. fo’ rilla. ”