un. independent rachel olmstead ( bullet ) of amc's the killing, diverging from canon after 3.07. deux. this blog is for writing and entertainment purposes only.
material.
un. my writing will, at times, be trigger heavy. i'd advise you not to follow if you're sensitive to topics such as rape and assault, violence, etc. deux. some things will be tagged, others won't. if you need something tagged, contact me. i tag triggers with ' trigger / ' or ' trigger mention / '.
muse.
un. bullet is not an easy character to get along with. she's abrasive and confrontational, hot - headed, and has lived on the streets for upwards of two years. i won't water down her scrappy personality for anyone's benefit. deux. if her attitude becomes an issue during our thread, we can always plot something else out.
shipping.
un. the muse is canonically homosexual and presumably homoromantic, so there will be no f/m ships unless they're platonic. deux. given that bullet is fifteen ( and a victim of recent violent sexual assault, ) smut is unlikely.
following.
un. i'm very cautious with who i follow on this blog because i prefer to have a quiet dash. if you don't have any writing on your blog, i won't follow you back. deux.if you're writing with users who make me uncomfortable, i'll immediately and quietly unfollow, or refrain from following period. these users are blocked and blacklisted for a reason. i don't want them on my dash. trois. i won't follow purple prosers because i can't understand what's being written half the time.
verses.
un. multi - verse and crossover friendly. deux. current timeline takes place during her recovery after being beaten and left for dead in the trunk of a car. she sustained severe physical trauma, flatlining three times in the twenty-four hours that followed before slipping into comatose for nearly three months. details are still a work in progress.
❛ I GOT MORE BALLS THAN YOU!
name. rachel olmstead. aka. bullet. age. fifteen going on sixteen. gender. cis female, she/her pronouns. date of birth. october twenty-eighth. residence. seattle, wa.
appearance. slightly malnourished, weight fluctuating due to living on the streets for nearly three years. stands at five feet, three inches ( on a good day. ) sports jet black hair with a streak of dark blue in the front, often looking greasy and dirty, with the sides and back shaved close. wears men's clothing. always looks on the brink of catching a cold.
( previous ) living conditions. squalor. she hung around skid row during the day, and squatted wherever she could at night, mostly in abandoned buildings or at beacon when beds were available. maintained at least a semblance of personal hygiene, but her stained smile told a different tale. clothes rarely saw the inside of a washing machine.
current timeline. parents are currently fighting against child protective services, but because of their negligence and abandonment ( knowingly allowing their child to leave home and live on the streets ), have been stripped of legal custody. after being discharged from the hospital, detective stephen holder was granted temporary guardianship of bullet until she's well enough to be put in the foster - care system.
bullet has every intention of getting the hell out of dodge as soon as possible to avoid this happening. accustomed to the lifestyle of living on the streets, she would sooner die than let an adult have authority over her. despite her extensive injuries, she can still be found roaming skid row, attempting to regain the trust her affiliation with the police shattered.
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linden had said it herself, right after : he didn’t have to stick around. didn’t have to help cover it up. he’d be lying if he said he hadn’t regretted it, more than a few times, during the weeks that followed — but he’d like to believe she would have done the same for him.
they’re partners. that’s how it works.
you got the bad guy.
‘ i’m tellin’ you now. ’ minus all the technical details, because she probably couldn’t give a shit about those. the paperwork, the politics. the unidentified bodies with jane doe written on their toe tags. the fact that he’s sick of looking at dead girls.
his expression hardens, then softens a little, within a split second’s reaction time. ‘ beat his sorry ass, y’ hear ? you ain’t gotta listen to that. ’
❛ yeah, ‘n i guess you think that makes up for keepin’ me in the dark ?‘cause it don’t. that’s the second time you ain’t told me somethin’. ❜
as if bullet herself is an open book. there are some truths she hasn’t been honest about, too. truths she’d be ashamed to reveal, not just to him, but to anyone. like dropping her last twenty on whatever the hell she could get with it, with intent to load her veins full of poison until she couldn’t feel the pang of hurt and rejection and humiliation buried in her chest. she isn’t the adult, though.
she’s just a kid who hates not knowing. the truth hurts, but it’s better than a lie.
the silence is comfortable. she isn’t. more self - aware than she had been in the past couple of days, conscious of the scarring and how it makes her look. she couldn’t fight him off. wasn’t strong enough. ( she’s tired of people feeling sorry for her, tired of the questions and taunts and the ‘ let me see ! ’ whenever word travels. )
❛ yo, he was just messin’ around. he gets high ‘n says stupid shit like he gets paid t’ do it or somethin’. poochie’s friends are all like that. ain’t no big deal. ❜
still cracked him in the jaw on principle, though –––––
‘ think they call that hysterical strength. only happens in life or death situations, when your brain snaps into overdrive. people can do some pretty fucked up shit when they’re scared. ’ it’s a good measure of what someone’s truly capable of — but with any luck, most of them won’t ever find out. ‘ naw ! you gotta take ‘em two or three at a time. my scrawny ass would’a got dragged down the damn street if i tried takin’ seven bully breeds for a stroll. your folks ever let’cha have a dog ? ’
❛ yeah, but what about when they’re not ? ain’t always gotta be scared of somethin’ t’ get that adrenaline rush ‘n kick some serious ass. i mean, it’s kinda better if you’re not afraid, ain’t it ?fear makes you stupid. ❜ she shrugs, hands pocketed. ❛ p’ft. you kiddin’ ?hell no. said i wasn’t responsible or whatever ‘cause they got me a hamster when i was ten ‘n it died. its name was meatball. ❜ yes, she did cry. ( in private. )
it’s asking too much from a fifteen year old who needs someone to blame. he gets that. but she’s preaching to the choir. once realization had finally set in, nobody wanted to see skinner burn more than he did. there are things he doesn’t say : like how he’d wanted to kick down the door to the mayor’s office at city hall when linden told him what happened. like slamming his head against a church partition and demanding to know where the fuck their almighty god was now. like using again.
he’d tell her if she asked. it wouldn’t make any of this right, not even close, but he’d tell her if she asked.
his chair sways back and forth, rocked by the motion as he presses the ball of his foot against the floor. a tic, one of many, developed over time. jesus, he’s tired.
‘ whatever. you wanna be pissed at me, fine. you wanna blame me, go ahead. linden sat in that room and gave ‘em a fucking confession, and that prick richmond just — up ‘n threw it back in her face. you pickin’ up what i’m puttin’ down ? we didn’t make that call. i never wanted it to go down like that. ’
she doesn’t blame him. if anything, she should blame linden. for playing judge, jury, and executioner. taking the justice right out of all those girls’ hands. to understand would be to see the bigger picture. from the perspective of a cop who committed homicide and covered it up to save their skin. the department would have been in the hot seat and with all evidence pointing to joe mills, how were they meant to prove that lieutenant james skinner of the seattle police department’s homicide unit was responsible for raping and murdering an upwards of forty young girls ?
bullet can’t see it from that perspective. she can’t see it from the perspective of a cop because she isn’t one. she’s a loose end he couldn’t tie. ( a victim, the only survivor who lives to never tell the tale. ) she’s fifteen and she’s angry because that’s easier to process. to express.
❛ linden. ❜ she scoffs, upper lip curled in a sneer of disgust. anger, hatred, contempt. the holy trinity of a teenager’s emotions. ❛ should’a told me. wouldn’t’ve had t’ hear it from some grommet punk askin’ ‘bout joe mills ‘n sayin’ i wasn’t his type. ❜
‘ it’s the adrenaline. slows everything down ‘n speeds it up at the same time. ’ something else that doesn’t need explaining, to her of all people. ‘ boardin’ school don’t sound half bad, playa. i bet you aced that class without even tryin’. hey, yo — dogs are the bomb, no doubt. grew up with seven of ‘em, you know, pitbulls. you wanna talk about pickin’ your battles ––––––– ’
❛ ever heard them whack stories about moms lifting cars up off the ground t’ save their kids ‘cause the adrenaline’s pumpin’ all hardcore ? didn’t believe poochie when he told me, just ‘cause he likes t’ exaggerate shit, but f’ real, it can happen. ❜ something about adrenal glands and using more percentage of muscle. ❛ boarding school was fuckin’ lame. full of yuppie bitches. … pit bulls are badass, yo ! how’d you take ‘em all on a walk ? you get like, seven leashes ‘n take ‘em all at once, or what ? ❜
‘ that’s how you work a case, son. don’t mean i be gettin’ my ass stuck at every turn. ’ she’s right, though. it happens. sometimes it’s unavoidable. sometimes the pieces just don’t fit, no matter how many permutations you’ve tried. he lets out a low scoff, mixing bowl in hand. ‘ see, that’s the problem. people get impatient, think we ain’t doin’ our jobs, when all they got’s a thumbnail of the whole picture. richmond didn’t kill nobody. now he’s never gonna walk again. that seem right to you ? ’
he spares no compassion for darren richmond, not after how the skinner incident played out, but the bottom line is the same : it’s dangerous for everyone when somebody decides to take the law into their own hands with only a fraction of the information. a lot of people have it coming. he’d go as far as saying that a few DESERVE it. but that’s not one person’s call to make.
not belko royce’s. not his. not even linden’s.
‘ yo — ! don’t be puttin’ words in my mouth. she’s just a li’l easier on the eyes than cueball carl or jank - ass jablonski, that’s all i’m sayin’. ’
there’s a click as he turns on the stove, taking the opportunity to turn his back and hide the smile. when she mentions caroline, however, despite it being offhand, he wheels around again with raised eyebrows.
‘ ain’t my girlfriend no more. we had, uh — irreconcilable differences. ’
in other words, the relationship didn’t make it past her calling bullet a statistic.
shoulders rise and fall. ❛ wouldn’t know. never been a cop. ❜ lost in translation: has only witnessed the true horrors of mankind from a street rat’s perspective and never once stopped to question how it might differ from a detective’s, because she never had to. ❛ ain’t gotta get all political on me, damn. i just think that sometimes you gotta do what you think’s right ‘n screw the system. ❜
the system doesn’t give a shit about you, so why give a shit about the system ? nobody seems to have the answer and she’s tired of waiting. vigilante justice might be the last justice this world has left to rely on. and so, while she believes what happened to darren richmond shouldn’t have, she can’t blame someone for wanting vengeance.
maybe she doesn’t have all the facts. maybe belko royce was just a nutcase. maybe this, maybe that. gaze drops to examine the beaded necklace that’s been fashioned into a bracelet and adorning her wrist. begins toying with it.
❛ hell yeah, she is. cueball carl looks like one of them dudes off the office ‘n jablonski looks like he’d be jerkin’ it on a train behind a newspaper. … ain’t lookin’ good for you either, with that goddamn pedo ‘stache. ❜
a pause. she looks up, brows furrowed. ❛ shit, bet you just ran her off. ❜ like she did with lyric. ( she blames herself for that. pushed too hard and moved too fast and ended up losing her to that low - rent punk. it still hurts, seeing them together. knowing they left her behind and moved on to live a better life. ) ❛ what’s it with these chicks, yo ? can’t live with their crazy asses, can’t live without ‘em. ❜ the voice of experience.
she looks like hell. hooked up to machines, wired in like some kind of goddamn circuit board. ripped that fucking iv out of her arm at least three times in the past forty - eight hours, once by accident, twice on purpose. her previous attempt at escaping this white - walled, antiseptic - smelling hellhole fell short, and the time before that, she was cut off at the elevator. but even if she hadn’t been, she wouldn’t have made it very far. might have even passed out.
the doctors tell her it’s a miracle she’s fully cognitive, and all she can think about is getting back out on the streets where she belongs. away from pigs, away from so - called medical professionals who keep poking and prodding her and asking all these questions.
she spits in their face every time.
holder’s the only man left standing who hasn’t been met with a cutthroat attitude tonight, but that’s because it’s late, and she’s tired. it’s the morphine drip. keeps her from being able to rate her pain on a scale of one to bullshit. mouth forms a tight line, eyes squeezing shut as she strains to sit upright, pauses for breath, then swings her legs over the side of the hospital bed and attempts to stand.
❛ t’cht. whatever. ain’t ever stopped me before. just need t’ get my socks ‘cause it’s fuckin’ freezin’. ❜
‘ damn right. s’all about strategy, knowin’ how to pick your battles. see, ‘cause they ain’t that different from us. ’ he doesn’t have to tell her that. bullet knows how predatory people can be. ‘ — so you’re gonna be a vet, huh. i’m guessin’ you’re a dog person, too, am i right ? ’
❛ ‘cause we got them survival instincts. that fight or flight shit. ❜ she thinks back to the afternoon beneath the bridge, on the outskirts of tank’s squat, where she thought she might find kallie. about how she chose not to fight that battle because she knew the odds of walking out unscathed were slim. and that’s intuition. ❛ been the dream ever since i was a li’l kid. took all them classes at my boarding school ‘cause i thought it might get my foot in the door or somethin’. … yo, who don’t like dogs? ❜
‘ i’m not. ’ he wouldn’t. not about this. not about anything. when he sinks back into his own chair, it’s restless ; agitated. his tone isn’t much different. ‘ son of a bitch played us from the jump. he’s the one who cut goldie loose, he’s the one who had us chasin’ our tails to track down joe fuckin’ mills — me ‘n linden, we got too close. figured out it was a cop. skinner had internal affairs snatch my ass up right after, that’s when we should’ve known. ’ a pause. the strong urge to light a cigarette. ‘ linden, she, uh. she saw the ring. kallie’s ring. he gave it to his own fuckin’ daughter. by the time i went after ‘em, they were up at lake sawyer — that’s where we found kallie and the others. he was on his knees. unarmed. baiting her, you know. he wanted her to shoot him. so she shot him, twice. we got rid of the body, covered it up — richmond’s the one who wanted mills to go down for it. pinned it all on him like this was just some bullshit political play. you keep this between us, you understand ? i don’t got a choice. ’
she doesn’t interject, not once, but she wants to. she still has questions that need answers and she doesn’t trust him to plug in all the details. but by the time he’s finished, the string of queries would just prompt a reiteration of what he already told her. she swallows and it feels a lot like shards of glass are sticking in her throat. what is she supposed to say ? two weeks ago, she felt trapped between a rock and hard place. finding out that she would never get to see kallie again was a truth that bullet wasn’t ready to process.
now, she’s forced to come to terms with the fact that the one who killed her will never be brought to justice. his name will never be absconded. it isn’t fair. not to kallie and not to angie and not to all of those girls at the bottom of the lake and all of the ones yet to be found. ( joe mills isn’t an innocent man. he deserved to rot. but not for a crime he didn’t commit –––– not as the pied piper. )
❛ screw you, holder. ❜
it’s all she can manage when her gaze rises, full of hurt and betrayal and all different shades of emotions that those girls would never get the chance to show again.
damned if there isn’t a part of him that wishes it was bullshit. those few weeks — months — with her in a coma, coupled with trying to cover up the death of a decorated police lieutenant ( responsible for the rape and murder of at least forty young girls ), were some of the worst he can remember. ‘ linden shot him. you want the full story ? sit your ass down. ’
what that jank - ass cabbie did to kallie was sickening to watch. ( her skin crawls just thinking about it and she wants to climb out of it, scrub herself clean.) but joe mills isn’t the man who targeted and terrorized those girls on the streets. he isn’t the man who stuffed her in a trunk with a throat slit open, a collapsed lung and broken ribs. the anger she once felt may have tempered, but she wants an explanation. figures he owes her that. ❛ don’t fuckin’ lie to me. ❜ a word of warning before sinking down into the chair behind linden’s desk.
she doesn’t relent, and he can’t blame her — but he still moves to pull that office door firmly shut, mindful of anyone who might have been drawn to the commotion. he has to wait to get a word in, sharp, not as loud as it could be. ‘ he ain’t walkin’ anywhere. he’s fuckin’ dead. alright ? skinner’s dead. ’
she isn’t finished with him yet. even tries sidestepping to cut him off before he can close the door, prattling on about joe mills and the pied piper until the last second. ( until he drops that bomb, and she’s suddenly feeling like there’s a slew of things he hasn’t told her. ) she pauses. lets the weight of it sink in. ❛ … bullshit. ❜