un. independent rachel olmstead ( bullet ) of amc's the killing, diverging from canon after 3.07. deux. this blog is for writing and entertainment purposes only.
material.
un. my writing will, at times, be trigger heavy. i'd advise you not to follow if you're sensitive to topics such as rape and assault, violence, etc. deux. some things will be tagged, others won't. if you need something tagged, contact me. i tag triggers with ' trigger / ' or ' trigger mention / '.
muse.
un. bullet is not an easy character to get along with. she's abrasive and confrontational, hot - headed, and has lived on the streets for upwards of two years. i won't water down her scrappy personality for anyone's benefit. deux. if her attitude becomes an issue during our thread, we can always plot something else out.
shipping.
un. the muse is canonically homosexual and presumably homoromantic, so there will be no f/m ships unless they're platonic. deux. given that bullet is fifteen ( and a victim of recent violent sexual assault, ) smut is unlikely.
following.
un. i'm very cautious with who i follow on this blog because i prefer to have a quiet dash. if you don't have any writing on your blog, i won't follow you back. deux.if you're writing with users who make me uncomfortable, i'll immediately and quietly unfollow, or refrain from following period. these users are blocked and blacklisted for a reason. i don't want them on my dash. trois. i won't follow purple prosers because i can't understand what's being written half the time.
verses.
un. multi - verse and crossover friendly. deux. current timeline takes place during her recovery after being beaten and left for dead in the trunk of a car. she sustained severe physical trauma, flatlining three times in the twenty-four hours that followed before slipping into comatose for nearly three months. details are still a work in progress.
❛ I GOT MORE BALLS THAN YOU!
name. rachel olmstead. aka. bullet. age. fifteen going on sixteen. gender. cis female, she/her pronouns. date of birth. october twenty-eighth. residence. seattle, wa.
appearance. slightly malnourished, weight fluctuating due to living on the streets for nearly three years. stands at five feet, three inches ( on a good day. ) sports jet black hair with a streak of dark blue in the front, often looking greasy and dirty, with the sides and back shaved close. wears men's clothing. always looks on the brink of catching a cold.
( previous ) living conditions. squalor. she hung around skid row during the day, and squatted wherever she could at night, mostly in abandoned buildings or at beacon when beds were available. maintained at least a semblance of personal hygiene, but her stained smile told a different tale. clothes rarely saw the inside of a washing machine.
current timeline. parents are currently fighting against child protective services, but because of their negligence and abandonment ( knowingly allowing their child to leave home and live on the streets ), have been stripped of legal custody. after being discharged from the hospital, detective stephen holder was granted temporary guardianship of bullet until she's well enough to be put in the foster - care system.
bullet has every intention of getting the hell out of dodge as soon as possible to avoid this happening. accustomed to the lifestyle of living on the streets, she would sooner die than let an adult have authority over her. despite her extensive injuries, she can still be found roaming skid row, attempting to regain the trust her affiliation with the police shattered.
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it’s twisted —— & she hates herself for it, but part of her resents her younger sister for this. people are dying without a choice whether or not they get to live their life. rachel herself almost lost her life. that was beyond anyone’s control at this point; so to see her do something so seemingly harmless( in comparison ), yet still so life-threatening, by CHOICE made audrey angry. shesurvived; why wasn’t she THANKFUL for that? the worst part is that she knows she’s still a target, & by association, rachel will never truly be safe. that kills her. a look of shock is sent back at her, & she quickly shakes her head. ❛ i don’t have time for fun. ❜ what she means: she’s too busy trying to save her friends after putting them in this situation in the first place. even if piper would have eventually made her way to lakewood, audrey had given her a push. ❛ people are DYING! ❜ a comeback to everything. ❛ i don’t have time to relax or to have fun or to stop thinking about this because it’s only going to keep getting worse, & i almost lost YOU! do you get that? i’m not okay with that! ❜
people are dying. she knows, and would like to think she has just as much of an informed opinion as her sister, but here’s the problem: her friends aren’t the ones being lead like lambs to the slaughter. ❛ you know that ain’t what i meant. ❜ she’s not expecting audrey to stop thinking about other people. knows her better than that, even after three years. but she also knows the lengths she’ll go to if it means protecting the people close to her without realising she’s caught right between the crosshairs. or maybe she does, and just doesn’t care. ❛ yeah, but you didn’t––– i’m still here. ❜ emphasis on here, alive and breathing even though she feels a lot less. a lot less something. maybe not less of a person but less deserving to be when girls like zoë vaughn, her polar opposite, are buried six feet underground. can’t imagine how bitter survivor’s guilt must taste to emma duval. how heavy the blame sits on audrey’s shoulders. ❛ yo, audrey, chill for a second. you’re givin’ this sick psycho exactly what he freakin’ wants. ‘n you know what ? you’re gonna stretch yourself thin if you keep this shit up. then you won’t be able t’ have anyone’s back ‘cause you’ll be all locked up in a psych ward or some shit ‘n throwin’ yourself against walls in a straightjacket. stop worryin’ ‘bout me ‘n everyone else ‘n think about you. when’re you gonna stop fuckin’ blamin’ yourself ? this ain’t your fault. ❜
she closes her eyes briefly as her sister raises her voice, knowing how much it probably pains her to speak that way. & so badly, she wants to tell her to stopAGAIN, only to go against her wishes to not tell her what to do. she can’t help it ; it’s in her nature to be protective of those close to her. even if they hadn’t been close in YEARS —— rachel was the most important person to her. she wants her to be BETTER ( she needs it ). she looks back at her, scoffing at her attempt & keeping the cigarette away from her. she wasn’t going to let her continue, not when she is like this. ❛ do you really think that’s what this is about? i don’t care that you’re in my room —– ❜ though part of her did wonder why, but she isn’t mad. she finds it strangelyendearing that she’s here. ❛ why are you always doing this? why are you constantly trying to risk your life? it can’t be fun to be this reckless all the time, is it? ❜
she isn’t. despite what everyone else might believe. all those preconceived notions about living on the streets, what it does to a person ––––– they’re all true. the past three years have taught her a lot about taking risks, and there’s a sick irony here that she feels the need to point out. audrey doesn’t have a leg to stand on. she tries to imagine a world where the roles were reversed. where her friends were the ones being terrorised and slaughtered. waking up, fearing what the day will bring. wondering who’s going to die next. tries putting herself in audrey’s shoes, the minute that trunk unlatched and she found her sister laying there, still as a corpse, blood soaking through into the upholstery. it’s a gut - wrenching thought. maybe, in this parallel universe, bullet would be going to the ends of the earth to protect her. ( as if she isn’t doing so already. it’s the only reason she hasn’t left home and found her way back to skid row, slit throat or no slit throat. audrey’s worried about her, and all the while she can’t help but think that she’s the one who needs protecting. the killer didn’t just attack bullet. he attacked audrey through bullet, deliberately, to taunt her. ) she looks up. doesn’t quite know how to respond without dishing out sarcasm. ❛ the hell would you know about havin’ fun? you’re so goddamn stressed out, your hair’s turnin’ silver. you ever quit worryin’ about other people ‘n start worryin’ ‘bout yourself for a change ? ❜
❛ it is sick. ❜ he takes note on her pun ( whether she meant to make one or not ), ❛ but seriously, with everything that’s going on around here & — what happened to you,i think the less DEATH we talk about the better, even if that means crippling my number of conversation topics. ❜ he shakes his head, letting out a weak laugh ; though shame does not manifest in him easily, he finds himself feeling more meek towards his QUIRKY, if not unnatural interest in serial killers, & the horror genre in general, ❛ so, why don’t you throw a fact at me? ❜
she bristles. becomes cold, distant. doesn’t appreciate being reminded of the night that turned her whole world inside out, until she remembers: he experienced the same trauma. but that doesn’t make her feel better. it almost makes her feel worse, somehow, knowing that the lakewood six have been suffering at the hands of piper shaw’s masked accomplice. gaze dips, then levels, shoulders rolling out a fair bit of tension. ❛ a’ight ––––– but i’m gonna be comin’ after your ass if someone ever puts a gun t’ my head ‘n asks me how a prairie dog whoops up on a ground squirrel, ‘cause guess what ? homegirl ain’t gonna have the answer. ❜ she’s fortunate to have enough animal trivia on hand to keep them here a while. ❛ octopuses have three hearts ? ‘n their tentacles are sentient, ‘cause over half their neurons are there, so the octopus can be, like, goin’ about its business ‘n their arms are just doin’ whatever else. they literally got a mind of their own. ❜
❛ duly noted. ❜ he clears his throat from the bit of second-hand smoke he’s just inhaled. can he actually keep his lips sealed ? ; it’s a question of which of the jensen’s WRATH he’d rather face, ❛ well, — since you like animals, let’s talk about my favorite FUZZY serial killer ;the prairie dog. ❜ a dramatic pause, waiting for her unimpressed expression to lift, ❛ —- total herbivores, but they routinely MURDER their competition: the ground squirrel. ❜ a chuckle presses past his lips, almost nervous, ❛ i would go into detail on how, but it’s probably too graphic. ❜
audrey’s a force to be reckoned with. but so is she. it all seems so trivial in hindsight. lakewood has a lot more to worry about than underaged smokers, and audrey probably has more important matters on her mind than what bullet’s doing to her lungs. ❛ no shit ? knew they were tough li’l fuckers. didn’t think they were killers. ❜ animals facts. the one thing that never fails to spark interest and keep the conversation above water. mostly.( and it’s worth mentioning that she noticed that. how could she not, when his little nervous tics are staring her right in the face ? she almost cracked a smile. ) ❛ aw, don’t hold out on me like that ! i think i’m man enough t’ handle it. y’ know the bubonic plague can still wipe out entire colonies of prairie dogs, right ? it’s sick. ❜
❛ you tell her about this, i’ll kick your ass. ❜ she shouldn’t be smoking, but she is. hand cupped around the spark of a flame, tobacco burning. listless gaze levels while pocketing the lighter and exhaling, courteous enough to keep from blowing it in his face. ❛ … got any more trivia for me ? ❜ // @cravesfreedom
she stares back at her sister blankly, at a loss for words as her eyes dart between the cigarette & the younger girl, clearly not at all concerned about her being in her room, rather what she was doing there. her room was clean, for the most part —– but that was only because she barely spent any time in it. all she really cared about now was that her sister was being reckless ( something she expected out of her but HOPED would calm down given her current condition ). ❛ rachel, is this some kind of idiotic prank? you can’t smoke right now! ❜ she said, quickly moving over to her to tug the cigarette out of her hand, as if she had any kind of real authority over her. ❛ can you maybe just try to deal with ONE bad thing at a time —– like, i don’t know, that bandage on your neck, ❜ she said, her tone slightly mocking as she pointed towards her neck. ❛ you survived, you’re not invincible. no smoking, ❜ she repeated, but this was all because she cared about her sister. she had lost her for so long —– now that she was finally back, she wanted to know she was SAFE, & she was prepared to do whatever she had to to ensure that.
her sister’s bedroom looks a lot different, but somehow still the same. the same personal touches that made it so unmistakably audrey jensen. the same purple fucking walls she used to hate. bullet’s seemed all too impersonal by comparison. it belonged to a ghost. to rachel jensen and the girl she used to be. not the junkyard bitch who’s been staying there. she prefers audrey’s because she hated it a little less than her own. felt at ease despite how it changed, but didn’t know how to say that. and even if she did, she wouldn’t have bothered. ❛ yo, don’t tell me what to do ! ❜ it puts a strain on her throat to even raise her voice above a conversational level, but she manages with only minimal struggle. ❛ give it back, ya thievin’ ass punk ! i’m not playin’, yo, c’mon, this ain’t funny ! ❜ makes a grab for the appropriated cigarette at least twice before giving in, waving a hand in dismissal and taking a step back to lean against the windowsill. ❛ you ain’t gotta give me a speech, a’ight ? you’re all worried ‘n shit. i get it. yo’ room, yo’ rules, blah, blah, blah. ❜
❛ yo, listen –––– i didn’t touch nothin’ up in this bitch. everything’s all … organised chaos, just the way you left it. ❜ more worried about audrey being pissed at her for being in her room unattended than anything else. the bandage on her throat, for example, that could’ve used changing. or the cigarette she was holding and about to light. at least she had the courtesy to crack open the window first.// @bloodlettered