un. independent rachel olmstead ( bullet ) of amc's the killing, diverging from canon after 3.07. deux. this blog is for writing and entertainment purposes only.
material.
un. my writing will, at times, be trigger heavy. i'd advise you not to follow if you're sensitive to topics such as rape and assault, violence, etc. deux. some things will be tagged, others won't. if you need something tagged, contact me. i tag triggers with ' trigger / ' or ' trigger mention / '.
muse.
un. bullet is not an easy character to get along with. she's abrasive and confrontational, hot - headed, and has lived on the streets for upwards of two years. i won't water down her scrappy personality for anyone's benefit. deux. if her attitude becomes an issue during our thread, we can always plot something else out.
shipping.
un. the muse is canonically homosexual and presumably homoromantic, so there will be no f/m ships unless they're platonic. deux. given that bullet is fifteen ( and a victim of recent violent sexual assault, ) smut is unlikely.
following.
un. i'm very cautious with who i follow on this blog because i prefer to have a quiet dash. if you don't have any writing on your blog, i won't follow you back. deux.if you're writing with users who make me uncomfortable, i'll immediately and quietly unfollow, or refrain from following period. these users are blocked and blacklisted for a reason. i don't want them on my dash. trois. i won't follow purple prosers because i can't understand what's being written half the time.
verses.
un. multi - verse and crossover friendly. deux. current timeline takes place during her recovery after being beaten and left for dead in the trunk of a car. she sustained severe physical trauma, flatlining three times in the twenty-four hours that followed before slipping into comatose for nearly three months. details are still a work in progress.
❛ I GOT MORE BALLS THAN YOU!
name. rachel olmstead. aka. bullet. age. fifteen going on sixteen. gender. cis female, she/her pronouns. date of birth. october twenty-eighth. residence. seattle, wa.
appearance. slightly malnourished, weight fluctuating due to living on the streets for nearly three years. stands at five feet, three inches ( on a good day. ) sports jet black hair with a streak of dark blue in the front, often looking greasy and dirty, with the sides and back shaved close. wears men's clothing. always looks on the brink of catching a cold.
( previous ) living conditions. squalor. she hung around skid row during the day, and squatted wherever she could at night, mostly in abandoned buildings or at beacon when beds were available. maintained at least a semblance of personal hygiene, but her stained smile told a different tale. clothes rarely saw the inside of a washing machine.
current timeline. parents are currently fighting against child protective services, but because of their negligence and abandonment ( knowingly allowing their child to leave home and live on the streets ), have been stripped of legal custody. after being discharged from the hospital, detective stephen holder was granted temporary guardianship of bullet until she's well enough to be put in the foster - care system.
bullet has every intention of getting the hell out of dodge as soon as possible to avoid this happening. accustomed to the lifestyle of living on the streets, she would sooner die than let an adult have authority over her. despite her extensive injuries, she can still be found roaming skid row, attempting to regain the trust her affiliation with the police shattered.
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‘ don’t let the outfit fool you. ‘ she scoffs, the frilly top & jean skirt that’s draping her form is uncomfortable to say the least. ‘ it’s not my .. style, or whatever — i don’t really have one, a style, i mean .. ‘ it doesn’t take long to find her car, unlock it & slip inside. all she has to do now is wait.
❛ wasn’t talkin’ ‘bout the outfit. ❜ she doesn’t have the face of someone who belongs on the street. but neither some of her friends. ducks into the passenger side and pulls the door shut, knapsack slung between her feet on the floorboard. ❛ ever gonna tell me yo’ name? ❜
due at the station ten minutes ago, he drives without a destination in mind. away from skid row, giving the water a wide berth, navigating an aimless grid downtown. surrounded by traffic and early morning commuters as far removed from them as images on a tv screen. he lights a cigarette out of habit, doesn’t expect the silence to break and something tightens up under his sternum when it does. his eyes stay on the road.
wherever i was. the coma she wasn’t supposed to wake up from, but did. because she’s stronger than that.
‘ ––––––– you talk to her ? ’
❛ tried to. ❜ but couldn’t close enough. she was just out of reach, every time. following the very glimpse of strawberry blonde around street corners and into buildings. even into the water, where she once saw her beneath the surface. hollow eyes open to the world. hair fanned out around her in a way that made it seem peaceful. quiet. but most of all, lonely.
realises now what she didn’t then. ( even in her subconscious, kallie was waiting to be found. ) fumbles around in her coat pocket for a moment, cursing under her breath. pulls a cigarette from his pack instead and lights it, poisoning her lungs.
her hands are trembling. she ignores it. tries to play it off as a tic, bouncing her knee as if she’s restless.
❛ i did talk to her. once. it was weird. i dunno. ❜
there’s a learning curve with all this for both of them. it’s not supposed to be easy. they’re trying, and that has to count for something, right ? most days, he feels like he’s running on fumes. on a reservoir of patience that should have long since dried out. but they’re trying.
he’s trying.
a smile, almost. or the ghost of one.
‘ yeah, you said that. you say that every time. get in — breakfast’s on me. ’
she still hasn’t some fight left in her. doesn’t give up that quick, no matter how bad she wants to ( because the pain and the hurt have burrowed in her chest and made itself at home between the spaces of her ribs. just when she thinks she’s past it, something else starts to bruise. ) she won’t ever go down quietly.
these demons have a lot of work to do before they can bring her to both knees.
silent until seated in the passenger seat, bullet shifts, one knee bent and tucked against her chest. stares out the window, watching unfamiliar faces pass by in a blur.
‘ big mac sounds good. & fifteen, yeah .. cool. ‘ she’s digging around in her bag for her car keys, the rustling sound of empty gum wrappers & her vibrating phone loud & evident. ‘ got ‘em. ‘ a sigh of relief spills from pink brims & with a nod of her head, she signals the way to her car, silently asking her to follow. ‘ where are you going to pierce me, then ? ‘
a subtle arch of the brow as she pulls a set of keys from her bag. thought the closest fast food chain was at least within walking distance, but everything usually was to a kid who didn’t have another choice. a moment’s hesitation passed, then she quietly falls into step. ❛ in the throat if you try anything sketchy. what’re you doin’ on this side of town, anyway ? y’ look like one of them chicks that just stepped outta cosmo, but you’re slummin’ it by the jungle ? ❜
‘ are you fuckin’ kidding me, bullet ? first you wanna help out, now you’re gonna turn around and act like — ’ like a teenager. exactly like he would have acted at fifteen. with all that bravado, sometimes he forgets : she’s just a kid.
a sharp inward breath gives way to a sharper exhale, misting out in front of him ; there’s a chill in the air that seeps down marrow - deep. the brief flare of anger that clipped his words doesn’t last longer than it takes to level his gaze. ‘ whatever. look, you, uh — you want me to drop you off somewhere ? cold as hell out here, ‘n i know you ain’t got’cha flu shot yet. ’
❛ ain’t actin’ like nothin’. ❜ she did want to help. still does. her attitude may switch on a dime, but that doesn’t mean she’s less inclined to lend a helping hand.
let her be angry and pick fights because it’s the only way she knows how to cope. let her navigate through this cornucopia of emotion, biting into each until she finds the most ripe. just let her go through the motions. ( be patient with her. ) she’ll get there. a scowl paints her expression, in time with the step taken away from the car door. ❛ you ain’t my chauffeur. ❜
at least she isn’t some fake blonde, perfume soaked bimbo with some artificial alliterative motive. ‘ fifteenbucks, a shower at my place, & an easy mac dinner. ‘ she drops her shirt, hands raising, waiting for an answer before letting them flop down to her sides ( in the most ungraceful way possible ). ‘ who can pass up easy mac ? ‘
is she supposed to take it on faith that this girl isn’t a crazed psychopath, or that accepting such a generous offer won’t mean tempting fate ?( a woman is just as capable as a man. ) head cants, gaze narrowing in with scrutiny. ❛ fifteen, 'n a big mac from mcdonald’s. ain’t gonna hang out at someone’s crib i don’t know. that’s askin’ for trouble. ❜
he did know. maybe he wanted to hear it from her. in some warped, ass - backwards way, he’s trying to say i get it. trying to say that he’s been there. getting drunk, getting high. just ‘cause i can. just to feel something else. or, ideally, nothing at all. it’s the same, but not the same, because no two experiences are ever identical, no two people tread matching paths down this ugly road. she doesn’t know the half of what he’s done, and he hopes to god — or whoever’s listening — that she’ll never have to find out.
a scoff as he takes two steps forward, car keys still in hand. this is neither the time nor the place.
‘ you the voice of experience now ? we’re not doin’ this here, get in the damn car. ’
digs her heels in, chin up in defiance, a rebellious glint behind the eye ( and you can’t tell by the way she’s holding herself, shoulders squared and jawline taut, but she’s beginning to feel somewhat anxious.) bullet wants him to get angry, to raise his voice and cause a scene so she has another excuse. the proximity isn’t as distanced as it once was. fists tighten on pure reflex, but remain in the warm pockets of her coat.
the bill crinkles beneath the movement. she wishes she’d never asked for it. wishes she hadn’t gone down this road.
❛ or what? you gonna drag me into the station again ? ❜
she’s struck by a feeling that something’s different about her friend, something off ; a dark aura’s settled about her ( not that she believes in that hippie shit. ) but isn’t that what happens to everyone fending for themselves in a DIRTY, messed up world? no one escapes without looking like the weight of the universe itself has crushed their soul. she’s worried there’s more to the story than a bad life wearing at her, but she doesn’t say anything about it, not now. she busies her mind with bullet’s words ; she was WORRIED about her, something that brought a warmth to her core, ❛ i was basically in lockdown — they took my phone away, had me doing some homeschool shit. ❜ she drags her teeth over her chapped bottom lip, thinking, before a decisive smile makes its way on her face, ❛ i think i’ll always pick breakfast. ❜ she spins on her heel, heading off in the direction that would lead to the nearest greasy diner, ❛ bullet, i want to pay. ❜ she isn’t looking at her, eyes on the ground watching herself walk. how many times has bullet had her back when she had nothing? ( whether it was a place to stay, food, money ) — she OWED her.
too much has happened. there’s been so much blood and so much pain, so much she hasn’t spoken about of her own volition, let alone acknowledged with anything other than a swell of anger.grateful that octavia isn’t the prying type, although part of her longs to unload. ( it’s okay to be not okay, fifteen and grieving over too many things all at once. it’s okay to be upset and want to confide in someone who might understand instead of forcing yourself open to someone who does nothing but psychoanalyse your every word. ) a scoff parts her lips, cracked and raw from the chill and split at the corner, where she took a hit two days ago. ❛ fuck ‘em. you gotta keep a low profile for a li’l while, man. you know they’ll be huntin’ your ass down like a freakin’ dog. i’ll find you a place t’ squat if you need one. ❜ she remembers being on the run. her first year on the streets was hell. ❛ guess i should’a known that. yo, c’mon, i mean it. you ain’t gonna have that scratch forever. don’t blow it on some damn eggs ‘n bacon, you feel me ? ❜ she falls into step, a small quirk at the edges of her mouth. money isn’t as much of an issue for bullet as it is for others, but she’s always hesitant to divulge that, and cautious with who she tells. ❛ so, who were the punk - asses that got stuck wit’cho crazy ass ?bible thumpers ? ❜
she closes her eyes briefly as her sister raises her voice, knowing how much it probably pains her to speak that way. & so badly, she wants to tell her to stopAGAIN, only to go against her wishes to not tell her what to do. she can’t help it ; it’s in her nature to be protective of those close to her. even if they hadn’t been close in YEARS —— rachel was the most important person to her. she wants her to be BETTER ( she needs it ). she looks back at her, scoffing at her attempt & keeping the cigarette away from her. she wasn’t going to let her continue, not when she is like this. ❛ do you really think that’s what this is about? i don’t care that you’re in my room —– ❜ though part of her did wonder why, but she isn’t mad. she finds it strangelyendearing that she’s here. ❛ why are you always doing this? why are you constantly trying to risk your life? it can’t be fun to be this reckless all the time, is it? ❜
she isn’t. despite what everyone else might believe. all those preconceived notions about living on the streets, what it does to a person ––––– they’re all true. the past three years have taught her a lot about taking risks, and there’s a sick irony here that she feels the need to point out. audrey doesn’t have a leg to stand on. she tries to imagine a world where the roles were reversed. where her friends were the ones being terrorised and slaughtered. waking up, fearing what the day will bring. wondering who’s going to die next. tries putting herself in audrey’s shoes, the minute that trunk unlatched and she found her sister laying there, still as a corpse, blood soaking through into the upholstery. it’s a gut - wrenching thought. maybe, in this parallel universe, bullet would be going to the ends of the earth to protect her. ( as if she isn’t doing so already. it’s the only reason she hasn’t left home and found her way back to skid row, slit throat or no slit throat. audrey’s worried about her, and all the while she can’t help but think that she’s the one who needs protecting. the killer didn’t just attack bullet. he attacked audrey through bullet, deliberately, to taunt her. ) she looks up. doesn’t quite know how to respond without dishing out sarcasm. ❛ the hell would you know about havin’ fun? you’re so goddamn stressed out, your hair’s turnin’ silver. you ever quit worryin’ about other people ‘n start worryin’ ‘bout yourself for a change ? ❜
‘ yeah, i was, ‘cause i don’t like you lyin’ to me. if you’re gonna be drinkin’ my paycheck, at least be straight up about it. own your shit. ’ it’s blunt, and there’s an edge to it, but he’s quick to dial back into something more neutral. he isn’t angry — not at her. not for the reasons you’d think. she was dealt a fucked - up hand and she’s trying to cope in the best way she knows how. nobody said he had to like it. ‘ just make sure t’ keep me in the loop, alright ? don’t be chasin’ down leads ‘n shit by yourself. if somethin’ don’t feel right, you back off and let me do my job. ’
❛ fine. you really wanna know ? ❜
you can smell it on her, soured from the rain. malt liquor and a whiskey chaser that didn’t burn quite as bad as she anticipated. she was used to it. swallowing the truth, bitter pill after bitter pill, has that effect. or maybe the dope she smoked just made it seem that way.
❛ i’m jus’ doin’ the same messed up crap you did. been gettin’ drunk. gettin’ high, just ‘cause i can. it ain’t like there’s anything better t’ do. ❜
voiced casual, as though they were talking about something as menial as the weather, but with disparaging and spiteful undertones typical of a fifteen year old girl who feels as though he’s casting too much judgement. she doesn’t care who’s around to hear it.