un. independent rachel olmstead ( bullet ) of amc's the killing, diverging from canon after 3.07. deux. this blog is for writing and entertainment purposes only.
material.
un. my writing will, at times, be trigger heavy. i'd advise you not to follow if you're sensitive to topics such as rape and assault, violence, etc. deux. some things will be tagged, others won't. if you need something tagged, contact me. i tag triggers with ' trigger / ' or ' trigger mention / '.
muse.
un. bullet is not an easy character to get along with. she's abrasive and confrontational, hot - headed, and has lived on the streets for upwards of two years. i won't water down her scrappy personality for anyone's benefit. deux. if her attitude becomes an issue during our thread, we can always plot something else out.
shipping.
un. the muse is canonically homosexual and presumably homoromantic, so there will be no f/m ships unless they're platonic. deux. given that bullet is fifteen ( and a victim of recent violent sexual assault, ) smut is unlikely.
following.
un. i'm very cautious with who i follow on this blog because i prefer to have a quiet dash. if you don't have any writing on your blog, i won't follow you back. deux.if you're writing with users who make me uncomfortable, i'll immediately and quietly unfollow, or refrain from following period. these users are blocked and blacklisted for a reason. i don't want them on my dash. trois. i won't follow purple prosers because i can't understand what's being written half the time.
verses.
un. multi - verse and crossover friendly. deux. current timeline takes place during her recovery after being beaten and left for dead in the trunk of a car. she sustained severe physical trauma, flatlining three times in the twenty-four hours that followed before slipping into comatose for nearly three months. details are still a work in progress.
❛ I GOT MORE BALLS THAN YOU!
name. rachel olmstead. aka. bullet. age. fifteen going on sixteen. gender. cis female, she/her pronouns. date of birth. october twenty-eighth. residence. seattle, wa.
appearance. slightly malnourished, weight fluctuating due to living on the streets for nearly three years. stands at five feet, three inches ( on a good day. ) sports jet black hair with a streak of dark blue in the front, often looking greasy and dirty, with the sides and back shaved close. wears men's clothing. always looks on the brink of catching a cold.
( previous ) living conditions. squalor. she hung around skid row during the day, and squatted wherever she could at night, mostly in abandoned buildings or at beacon when beds were available. maintained at least a semblance of personal hygiene, but her stained smile told a different tale. clothes rarely saw the inside of a washing machine.
current timeline. parents are currently fighting against child protective services, but because of their negligence and abandonment ( knowingly allowing their child to leave home and live on the streets ), have been stripped of legal custody. after being discharged from the hospital, detective stephen holder was granted temporary guardianship of bullet until she's well enough to be put in the foster - care system.
bullet has every intention of getting the hell out of dodge as soon as possible to avoid this happening. accustomed to the lifestyle of living on the streets, she would sooner die than let an adult have authority over her. despite her extensive injuries, she can still be found roaming skid row, attempting to regain the trust her affiliation with the police shattered.
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‘ thought that shit was badass. yo, look, i’m just sayin’, if you need tips — which you do — offer still stands. i got you covered. ’
❛ yeah, ‘n all i’m sayin’ is, the only time i ever seen you holla at the shorties was when you got ‘em locked in an interrogation room. keep poppin’ them viagra pills ‘n stay outta my business ‘fore you get'cha feelings hurt. ❜
❛ ain’t that bad. looks kinda cool. check it. ❜ she pushes up the sleeve and holds out her arm, showing off the bruising that circles around her wrist, the tender skin across her knuckles. ❛ pretty badass, huh ? ❜
some nobody, nothin’ pimp. call it instinct, call it whatever you want, but the way she bristles — like she’s trying not to FLINCH — every time goldie’s name crops up speaks for itself. she doesn’t have to say anything. he knows something ugly went down, feels it in the leaden pit that settles in his gut. shoulders hitch, free hand slipping into his coat pocket.
‘ ––––––– don’t think about goldie no more, alright ? scumbag’s doin’ 15 to 30 for those tapes. he ain’t stickin’ it to anybody ever again, y’ hear ? ’
they don’t like kid - fuckers in prison. if there’s even a modicum of justice left in the world, someone’ll do to goldie what he did to all those little girls.
bullet’s stronger than that. she won’t break so easily.
‘ c’mon, li'l b. ’ the refusal is more or less what he’d expected, but it’s getting late. she’s already punching walls and he knows exactly where that road leads. ‘ gotta at least let me get'cho skinny ass somethin’ to eat. ’
she remembers what he said. you’re just a little bitch that needs to be broke like the rest. how every syllable scraped out and cut her open, like the serrated edge of a blade splitting her throat. his hands and where he put them, the bruises and contusions he left behind after the fact ( after he forced himself onto her, pinned her and beat her down until she could hardly draw a breath without straining herself. )
the blood didn’t stain. not too bad. easy enough to wipe off with wet paper towels and rinse out of clothing beneath warm running water from an old faucet tap. she still hasn’t told a soul about that night. not lyric, not twitch, and not the therapist she was assigned to meet with after discharge.
she can talk about the pied piper, even if she doesn’t like to. about whether she’s experiencing thoughts of suicide or feeling depressed, even if she’s only telling them what they want to hear instead of the whole truth.
but not about that. so, how is she supposed to explain to holder that not thinking about goldie is next to impossible when she’s staring down a broken reflection ? if fifteen to thirty was meant to be comforting, it missed the mark.
❛ whatever. … yo, think you could get lyric ‘n them a burger or somethin’ ? i’ll take it to ‘em. ❜